Zephyr Gallery is open Thursday through Saturday from 11:00am to 6:00pm and by appointment.
We are going green and will send future show announcements via email. Go to our Contact page and provide your email address, full name and other contact information if you would like to be added to the list.
February 14 through March 22, 2014
Project 1: Ariel Lavery and Liz Clayton Scofield is Zephyr Gallery’s first proposal-based exhibition curated by Independent Curator Suzanne Weaver. While the art of both Lavery and Scofield is informed by critical ideas and issues of art today – identity, body, and narrative, for example – they each bring their personal experiences to the making and presenting of their work. This in turn gives the work resonance and deeply engages audiences on many levels, from the physical to the psychological.
April 4 through May 24, 2014
Project 2: Defining Installation is Zephyr Gallery’s second proposal-based exhibition in the series and the first collaboration with the University of Louisville. Curated by Susan Jarosi, Associate Professor of Art History, and students in her installation art seminar, Project 2 features original works of installation art commissioned from four local artists: Jenna Richards, Rosalie Rosenthal, Shohei Katayama, and Michael Ratterman. These four artists were charged with creating a work of installation that explored one or more of the “defining” aspects of the medium – scale, the production of space, space and its relation to the body, immersion, site specificity, to name just a few. Focusing on the exhibition’s theme as well as the history, theory, and praxis of installation art over the last forty-plus years, the students in the seminar have made their own contribution by producing an exhibition catalog and installing a study space in the gallery that includes a specially selected library of texts on installation art.
Project 2: Defining Installation opens April 3 and runs through May 24, 2014, Thursday–Saturday, 11:00 a.m.–6:00 p.m., or by appointment. The gallery will also be open for the First Friday Trolley Hops on April 4 and May 2, from 6:00–9:00 p.m. A Hite Art Institute sponsored Artist Reception will be held on April 11 from 5:00–7:00 p.m at Zephyr Gallery.
June 6 through August 16, 2014
Project 3: Analog / Analogy is a two-part exhibition co-curated by artists Ryan Daly and Jake Heustis and Independent Curator Suzanne Weaver. The first part opens June 6 and runs through July 12th; second part opens July 17th and runs through August 16, 2014. Gallery hours are Thursday–Saturday, 11:00 a.m.– 6:00 p.m., or by appointment. First Friday Trolley Hop dates are June 6 and August 1, 2014. Part I: Analog – Artist Reception and Audio Video Performance, will be held Friday, June 20, 7-10 p.m. Part II: Analogy – Artist Reception, will be held Friday, July 25, 6-9 p.m.
(Part I) Analog (June 6 – July 5) will include works by Heustis and Daly that are produced and exhibited using analog signals. An analog signal is a continuous signal that contains time-varying quantities. Unlike a digital signal that uses specific values to represent information, an analog signal has constant fluctuations. These fluctuations are the basis of Heustis and Daly’s work. Heustis’ brushless oil paintings, thick impasto grids of pure and vibrant fields of color, applied straight from the tube without manipulating the color create a direct and visceral presentation of oil paint as a medium. Meanwhile Daly’s monochromatic time-lapse photography, captured on Instax instant film, is a record of shifting light. Exposing a single frame at a time, in a grid of 100 exposures, Daly captures not only a moment in time, but also the change in light from moment to moment to moment. This fascination of time variation is also represented in Daly’s 16mm film sculpture The Projectionist Has Left the Building, whichscreens continuously throughout the month.
In (Part II) Analogy (July 10-August 16), through a collaboration with twenty-four artists, Heustis and Daly continue this exploration of analog by focusing on the linguistic root of the word analog: analogy. Instructed to “interpret what they see,” on paper (22 x 30 in/each), this collaboration investigates the cognitive process of transferring information or meaning from a particular subject (the analogue or source) to another particular subject (the target). Using the Analogy of the Cave, or Plato’s Cave, it has been argued that analogy is “the core of cognition”, in which perception is necessary for analogy to occur.